Today: Miggy Fajardo

A beautifully crafted portfolio that sets a high bar for early-career designers

Miggy Fajardo’s portfolio is one of the most well-crafted and visually refined examples we’ve seen from a designer at this stage of their career.

Based in Phoenix, Arizona, Miggy brings a unique blend of design sensibility, storytelling precision, and visual clarity to everything he touches — whether it’s Dropbox-level production work or experimental tools for navigating orbital mechanics. That combination makes this a standout portfolio in every sense.

Let’s take a closer look at what Miggy’s doing especially well — and two small refinements that could take an already excellent portfolio even further.

The Good

Masterful Visual Storytelling (Especially in Complex Projects)

The first thing that stands out is Miggy’s ability to tell stories visually — and to do so with clarity, care, and a strong editorial instinct. The Orbitscape project in particular is a masterclass in explaining complex systems (in this case, orbital behaviors and trajectories) through clean hierarchy, structured content, and bold, helpful visuals.

He uses generous spacing, short paragraphs, clear typographic breaks, and well-timed annotations to guide the reader without overwhelming them. Motion is used sparingly but effectively. Even when the subject matter is niche or technical, Miggy keeps it accessible and compelling.

This is what good storytelling looks like: a balance of clarity and depth, supported by thoughtful design decisions at every layer.

Taste, Craft, and Visual Precision

Miggy’s work is flawlessly presented. Every screen is crisp. Every component feels intentional. There are no blurry images, no placeholder-like elements, no visual noise. This is the level of polish you’d expect from someone deep into their career — not someone fresh from internships.

His Dropbox case study (which focuses on improving the experience for recovering deleted files) demonstrates this perfectly. He uses motion to contrast “before” and “after” states without relying on walls of explanation. The annotations are clear. The visuals stay on-brand. Even subtle details like alignment, zoom levels, and hierarchy are handled with care.

This is the kind of visual delivery that doesn’t just look good — it makes the work feel trustworthy and production-ready. And that’s not something many early-career portfolios can claim.

The Potential

Stronger Positioning Through a Sharper Intro

The better your work is, the less you often have to say — because the work speaks for itself. And in Miggy’s case, the work speaks volumes. It shows taste, attention to detail, and a clear strength in building consumer-facing, mobile-first products.

But this makes it all the more important that his intro doesn’t undercut that strength.

Right now, his headline reads:

This isn’t bad — but it’s also not specific or differentiated. It doesn’t reflect the level of clarity and intent shown in the rest of the portfolio. “Enriching our relationship with technology” is a phrase that could mean anything — and that vagueness makes it easy to skip past.

Miggy doesn’t need to write a lot more here — just be clearer. Something like:

or

…would already do a better job of setting expectations and attracting the right kind of work.

Especially for someone still early in their career, a sharper intro is one of the fastest ways to steer your trajectory — and Miggy has everything needed to back it up.

Slightly Tighter Editing in Case Studies

This last point is minor, but worth flagging: Miggy’s case studies — particularly Orbitscape — can feel slightly long in places.

In part, this is due to his use of large-scale visuals (which is absolutely the right call — they’re beautiful and helpful). But in a few areas, it feels like some screens are repeated, or that slightly too many images are used to communicate a single point.

This isn’t about cutting for the sake of cutting. It’s about tightening the scroll so that every visual lands with maximum clarity and minimal repetition. That kind of restraint doesn’t just improve flow — it adds a sense of curation and editorial sharpness to the work.

When your work is this strong, less truly can be more — and showcasing only the most meaningful moments makes the portfolio feel even more elevated.

Final Thoughts

Miggy’s portfolio is an outstanding example of what early-career product design can look like when visual skill, storytelling precision, and editorial clarity come together.

His work is sharp. His case studies are thoughtful. And his attention to detail is far beyond what you typically see at this level.

With a slightly clearer intro and some light tightening in a few places, this already-excellent portfolio could be even stronger.

If you’re wondering what the next level of visual storytelling looks like in a junior portfolio — this is it. Study this. It sets the bar.

Want to create a visually stunning portfolio like Miggy’s? Framer can do it!

Still struggling to get your portfolio off the ground?

Don’t want to spend weeks learning yet another tool? Framer is my top recommendation for building your portfolio — fast, clean, and without the usual headaches.

Although Miggy didn’t use Framer to craft his portfolio, it could have easily been a Framer-made portfolio.

If you’re just starting out (or even if you’re not), I think Framer is a perfect fit. Here’s why:

• Flat learning curve: The interface feels familiar if you’ve used Figma — plus, there’s a plugin to bring your designs straight in.

• Plenty of learning support: Framer Academy is packed with free tutorials, videos, and guides to help you go from zero to published.

• A huge template library: Tons of high-quality (often free) templates in the marketplace to help you launch quickly without starting from scratch.

And that’s just scratching the surface. I wrote more about why I recommend Framer here—but honestly, the best way is to try it for yourself.

Affiliate disclaimer: I only recommend tools I personally believe in. Some links in this post are affiliate links, which means I may earn a small commission if you choose to purchase — at no extra cost to you.

How I can help YOU

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